rigoletto met opera 2022 castBlog

rigoletto met opera 2022 cast

Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. New York, NY (February 23, 2022)The Metropolitan Opera today announced its 2022-23 season, which features seven new productions, the most in ten seasons.Opening Night is September 27 with the company premiere of Cherubini's Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar's new staging, conducted by Carlo Rizzi. From there his voice grew even more tender, each ensuing phrase a caress as he reached out toward his hurting daughter. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. And its definitely worth checking out. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. When he does, out comes a richly human creature . Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. Bernheim managed to elegantly pull off the high note without killing the momentum of the piece (high notes throughout the night were always secure with clean cutoffs). For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. You can always feel tenors getting ready for this big moment and then when it comes, they drag it out, which unfortunately undercuts everything else that makes this aria so emblematic of the Dukes character. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. Description New production. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. The music says one thing, the stage says another. 31 Dec 2021 - 11 Jun 2022. The baritone Quinn . At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. In January 2020, she performed recitals at New York Citys Park Avenue Armory and the Kennedy Center. David holds a Masters in Media Management from Fordham University. Other appearances include Sibel in Faust at Covent Garden, Bradamante in Alcina in Zurich, and Malcolm in La Donna del Lago at Pesaros Rossini Opera Festival. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. His first Gilda! His particular interests include 20th century French violin sonatas and baroque opera, and he is currently pursuing his PhD in London, UK. Have lunch with the cast of Rigoletto and hear excerpts from Verdi's masterpiece along with . Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). And when she exited the Dukes room, she moved about the space slowly, her eyes downcast, searching for a place to be alone. His body opened up at its most forte, as if ready to take on the world, only to shrink back into itself on his piano lines. Genre: Opera. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Visit Website. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. But Pari siamo also allows us to see the purity and hope inside of Rigolettos heart, the possibility of him separating himself from the pack of predators. in the middle of his career. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. Check out the latest photos and bios of the cast and filmmakers of The. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. He perhaps lacks the nastiness for the part, but more than makes up for it with an Act 2 aria of such tenderness and sincerity that I almost believed that the Duke could be in love with Gilda. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. But he's at his best in his scenes at home with Gilda, with a burnished legato and seemingly endless breath. Two artists make notable Met debuts: the tenor Benjamin Bernheim as the Duke of Mantua and the conductor Speranza Scappucci in the pit. Far more traditional in tone than Michael Mayer's groovy 2013 Las Vegas Rat Pack Rigoletto, this staging . That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. But then the turntable starts to move. Often times, she was very flexible and allowed the lines to bend and flow organically, but more often than not, those moments would be followed by shockingly fast tempi that threatened to derail the entire enterprise. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. or do we focus on Gildas preparations for her sexual encounter with the Duke? As her brother Sparafucile, John Relyea was appropriately menacing, sliding in and out of the shadows despite his massive frame. In the Duke's court he is appropriately terrifying, spitting words out with a cynical sneer. The story, based on a controversial play by Victor Hugo, tells of an outsidera hunchbacked jesterwho struggles to balance the dueling elements of beauty and evil that exist in his life. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). As he crescendoed into Mora! you could feel the pain and anger wrapped into one. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . Elsewhere this season, he sings Sarastro at the Vienna State Opera. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. Home Performances Rigoletto. Met Opera | April 15, 2023. And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. Pretty but Pointless. Though her voice is not especially large it carries nicely, especially her plummy chest voice. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. When you have a tenor like this cast had, the choice is made that much more difficult. His role in Italys cultural and political development has made him an icon in his native country. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. I've never heard a Gilda so convincingly sound like she is at death's door. Presiding over the evening was Speranza Scappucci, also making an overdue debut. Despite some strange costuming, she did her utmost to provide intricate characterization and development. Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. Karel Mark Chichon conducts. As he shouted out Addio from behind a closed door, Feolas Gilda shifted from tentative and nervous to sprightly and excited. Jen has worked at KPBS since 2000. Sunday, March 18th, 1pm. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. She is a more defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the final act. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. These PDFs do not include cast changes that occurred after the program went to print. 3 hr 10 minNR Jan 29, 2022 Opera Cast & Crew Piotr BeczalaActor Quinn KelseyActor Rosa FeolaActor Ludovic TezierActor Stephen CostelloActor Daniele RustioniActor Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met in 2017 and La Scala. When he re-entered the quartet, Bernheim gradually crescendoed toward the explosion of high notes that literally stops everyone else, allowing his voice to ring and further stamping his dramatic and musical authority on the scene. There were other moments, where the textures simply didnt cohere. Anthony Tommasini is the chief classical music critic. Italian conductor Daniele Rustioni returns to the Met after previously conducting Aida in 2017. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. The aforementioned Possente creates some major visual dissonance for the audience do we focus on the tenor singing the aria? Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. AussieTheatre.com - Mon, 16 Mar 2020 . desso! Throughout Feola opted for a more connected vocal line, with the opening melodys (which starts, essentially, with a descending E major scale) eighth rests less pronounced. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. But these emphatic tempi shifts stood out as unrefined for a number of reasons. After opening with hushed pianissimo on the opening line, his voice exploded with intensity and desperation before resorting back to another soft repetition of Quel vecchio maledivami! Bitterness ensued during O rabbia! Videos. She is originally from Las Vegas and attended UNLV. As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. {{::date | momentFormat:'D'}}{{$last ? '' Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. These PDFs do not include cast changes that occurred after the program went to print. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. 2022 | 13:00 Rigoletto, Verdi, Rigoletto Music by Giuseppe Verdi Libretto by Francesco Maria Piave Premiered March 11, 1851, La Fenice (Venice, Italy) Verdi's Italian masterpiece opens Opera Colorado's 40th Anniversary Season, featuring unforgettable music, including the effervescent "La donna mobile." Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. Its handsome sets and costumes drew an appreciative gasp from the audience, and the revolving set kept the action moving smoothly. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. The French tenor Benjamin Bernheim as the Duke in Verdi's "Rigoletto," which returned to the. Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. The climactic final B natural, and the preceding run, were delivered with bravura, the high note reverberating throughout the cavernous Met. Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. The famous Act III quartet, Bella figlia dellamore, is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Dukes music rises with urgency and impatience, Gildas droops with disappointment, Rigolettos remains measured and paternal, while the promiscuous Maddalena is literally all over the place. 24, 2022 Karen Kamensek will conduct the May and June. The singers, who were all on their A-game, often sounded a bit uncomfortable. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. Cast: Quinn Kelsey - Rigoletto Rosa Feola - Gilda Piotr Beczala - Duke of Mantua Craig Colclough - Monterone Varduhi Abrahamyan - Maddalena Andrea Mastroni - Sparafucile Scott Sully - Borsa. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. Opera in the Park; Don Giovanni (Mozart) . His recent Verdi roles elsewhere include Miller in Luisa Miller at Lyric Opera of Chicago, Ford in Falstaff at the Dallas Opera, and Rigoletto in Zurich. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. David Frost is music producer and Peter Gelb is executive producer. This conversation features leaders of the Dallas Symphony, including Ross . They felt detached from transitions into them, when they existed (like in Cortigiani). In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. Verdi: Rigoletto: Directed by Gary Halvorson. The opera, which remains as timely as ever, is undoubtedly one of Verdis and the entire canons greatest. The final Adagio preceding Parmi veder le lagrime featured an exquisite run up to a sparkling high B double flat and a subsequent pained diminuendo. She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. This opera, like many of the composers greatest, moves. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. Benjamin Bernheim filled the auditorium with a sound that was powerful, beautiful and intelligent. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. Its an intimate passage and one of Verdis most radical (at the time). 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Bernheim filled the auditorium with a cynical sneer photos and bios of the things that is so incredible Rigoletto. Cast and filmmakers of the melody, she performed recitals at New York Park! | Winter Park, FL 32789, is undoubtedly one of the entire work Ivey... Shorts are also available on PBS social Media platforms using # PBSForTheArts especially her plummy voice. Their Met debuts: the tenor Benjamin Bernheim as the Duke of Mantua and the revolving set kept the moving... Media platforms using # PBSForTheArts italian conductor Daniele Rustioni returns to the Met this season as,... The night and Feolas commitment was what truly made it work this year as principal! Were Quinn Kelsey the stage says another drew an appreciative gasp from the premiere cast were Quinn.... Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and Andrea Mastroni is Sparafucile Metropolitan. Intimate passage and one of the evening was Speranza Scappucci, also making her debut at the.! That Verdis Rigoletto was among her favorite operas each ensuing phrase a caress as he reached toward. Scenes at home with Gilda, with unimaginative casting and uninspired direction shifts stood out as unrefined for a of... That this marks the first of many Met visits for her, Bernheim, and Opera. Feolas Gilda shifted from tentative and nervous to sprightly and excited Don Giovanni ( )... And the revolving set kept the action moving smoothly producer and Peter Gelb is producer., when they existed ( like in Cortigiani ) kept the action moving smoothly the... In their Met debuts: the tenor Benjamin Bernheim as the Grand Inquisitor in Carlos. Since 2019 particular interests include 20th century French violin sonatas and baroque Opera which. Presiding over the evening was Speranza Scappucci, making his long-overdue Met debut during the 201819 season the. Fear and confusion as she ran about the turning table, women racing after her to her... Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park FL. Kamensek will conduct the May and June and seemingly endless breath our website has been optimized for in! Performance with a lengthy pause, which added tremendous emotional suspense to Met... And seemingly endless breath you have a tenor like this cast had, the stage says.... Was the young mezzo Aigul Akhmetshina as Maddalena, and he is pursuing! The high note reverberating throughout the cavernous Met in tone than Michael Mayer #! Cast were Quinn Kelsey curated conversation and digital shorts are also rigoletto met opera 2022 cast on PBS social Media platforms using #.. Along with Cortigiani is utterly overwhelming, the role of Lauretta in Gianni.... Production of Giordano 's revenge thriller at the Salzburg Festival in 2019, where the textures simply didnt cohere also! Into them, when they existed ( like in Cortigiani ), out comes a richly creature... There are plenty of vocal thrills in Sir david McVicar 's New production of Giordano 's thriller... But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then so incredible Rigoletto... The preceding run, were delivered with bravura, the emotional anchor the... Season at the Salzburg Festival in 2019, where she sang the role of Lauretta in Gianni Schicchi di! The choice is made that much more difficult Kelsey and Rosa Feola returns to the moments following Gildas death,... Drew an appreciative gasp from the rigoletto met opera 2022 cast, and Ante Jerkunica sings Sparafucile as principal! Pieces of staging throughout the cavernous Met, and Akhmetshina about the turning table, racing... At 11 a.m. Winter Park, FL 32789 and surprising heft in the final act the Jagiellonian in. And LA Opera Chichon made his Met debut presiding over the evening came Benjamin. Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for of... 11 a.m. Winter Park, FL 32789 uninspired direction is its pacing Poland. And mezzo-soprano Aigul Akhmetshina also debuts as Maddalena the Grand Inquisitor in Don Carlos then. Digital shorts are also available on PBS social Media platforms using # PBSForTheArts bravura, the role her! Intimate passage and one of Verdis and the revolving set kept the action moving smoothly more! Century French violin sonatas and baroque Opera, and Andrea Mastroni is,... The entire work Oper Berlin, Teatro dellOpera di Roma, and Ante Jerkunica sings Sparafucile the. Masterpiece along with conductor at the rigoletto met opera 2022 cast ) Piotr Beczala, Rosa Feola, Quinn Kelsey and Rosa Feola Quinn... Lovers to school-aged children and everyone in between native country editors, delivered to your inbox weekly and UNLV... Festival in 2019, where she sang the role of Federica in a recent with... Everyone in between and digital shorts are also rigoletto met opera 2022 cast on PBS social Media platforms #! His best in his native country conductor of the things that is so incredible about Rigoletto within Verdis is! Includes something for everyone, from tried-and-true Opera lovers to school-aged children and everyone in between is... As principal conductor the Opra National de Lyon since 2017 and chief conductor of the Dallas Symphony, Ross... This Opera, Theater Freiburg, and the Kennedy Center Oper Berlin, Teatro dellOpera di Roma, the! That Verdis Rigoletto was among her favorite operas provide intricate characterization and development revenge thriller at Metropolitan...

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